Pivoting suddenly to online learning in March 2020, we extended the Willams et al. (2005) theory of the systemic dimension through opening up external relations to new global alliances to share resources and co-author ideas on inclusion, equity and access within our curriculums. Racial injustices during the 2020 global pandemic, including the murder of George Floyd in the US, has been an external factor that has amplified demands on the architectural curriculum to decolonize. Work towards gender and racial justice in our studios has been ongoing pre-global pandemic but now the online conference, such as well-attended online webinars on how to pivot to online teaching, and open design reviews have brought a generous sharing of DEI, indigenous and local knowledges. The potential to expand the exchange of materials, including culturally diverse philosophies and ingenious viewpoints, will open the conversation beyond the closed boundaries of our home institutions.

This is a co-authored discussion on what a radically inclusive design studio practice looks like. As we look to build on the data from our global allies, incorporating recommendations towards the decolonization of the architectural curriculum through a collective scholarship, we have launched a website where we can continue the conversation. Examples of how these practices have manifested within your own teaching pedagogies and curriculums can be contributed through the Comments / Chat section of the website, where dialogues can take place between the Global South and North. During the past few months, the side Chat on Zoom has been used by those who have felt they could not be heard within the online discussion if dominated by a few. We see the Chat space as a safe space to share your feelings and/ or contributions to the discussion towards a propositional way to move the conversation forward.
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About the Authors:
Michele Gorman
Assistant Professor, School of Constructed Environments | Parsons School of Design at The New School | New York, NY
Pratt Institute School of Architecture | UG Architecture | Brooklyn, NY
Based in Brooklyn, New York, I work at the intersection of architecture, social and ecological activism and emerging digital technologies between two ranked US design programs: Pratt Institute (Brooklyn, NY) and Parsons School of Design | The New School (NY, NY). Since the global pandemic and our pivot online, I have showcased new immersive platforms vis a vis pedagogy and remote learning, challenging the in-person architecture review. In addition, including global voices in these online discussions and spaces, cutting across cultural and geographic divides, has created new knowledge and shared resources with newfound academic feminist colleagues in South Africa and Australia, and beyond. Discussing our own inclusive design philosophies and pedagogies has created new forms of collectivity and knowledge production that challenge the previous structures of normative design studio culture and rituals. I ask how moving online opened up new potentials to discuss, co-author and share that allow us to give a global rethink on our community, culture, and the forms and boundaries of our academic institutions. How can we make the design studio truly radical to respond to changes taking place in our global community in real-time? As ALL design studios must be radical, what does radical mean in each of our respective institutes and how are we testing within our own teaching pedagogies?
Hermie Delport
Project Leader: Architecture and Spatial Design, STADIO Higher Education, South Africa
I have an intense love for architecture and architectural education. How it is possible to improve what we do, not because what we do is bad, just because there is always room to learn, to adapt to the circumstances, to bring out the best in the students and educators. I have the privilege of working on new architectural qualifications for a new school of architecture and would like to make sure that what informs the development is relevant, inclusive and exciting. I have dappled in various forms of the studio, running a design-build studio as part of my research. I cannot separate the tactile form the studio and find ways that people are addressing the hands-on aspect now during COVID really inspiring.
Jolanda Morkel
Senior Lecturer, Cape Peninsula University of Technology
My passion for design and my determination to solve wicked problems led me to explore innovative educational technologies, learning experience design, design thinking in higher education and inclusive educational practices in resource-constrained contexts. Inspired by my fearless students and supportive colleagues, I have designed, coordinated, and facilitated various transformative learning interventions, including blended and flexible work-integrated learning models that serve culturally diverse and non-traditional students.
Lindy Burton
Senior Lecturer, Queensland University of Technology, Australia
It’s impossible to be raised and educated in South Africa, and not be impacted by architectural responses to racial segregation from the past. Spaces and places are a constant reminder of how people were once racially classified. I have built a new identity as an Australian architect and academic, but my African foundations will always underpin my sensitivities to indigenous perspectives, and my approach to design and teaching.
My research interests centre on transformational architectural education, the design of innovative learning environments, and diversity, inclusion and equity in architecture. I am appointed as a board member of the BOAQ, and I provide leadership in AACA Accreditation and SAGE Athena SWAN committees. I am a Senior Fellow of the Higher Education Academy and my teaching excellence has been recognized nationally.
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